After the computing is done, you have five different previews available - Original, Trimap, Mask, Keep, Cut -, which can be seen individually, two side-by-side or four at once. You can just use the cutout as a layer in your photo editor – if you’re using one, that is, as ReMask works independently. Topaz Remask will make its calculations and will give you a final cutout and a mask for it, depending on how you set your preferences. You use the blue brush to outline the area you want to protect, then fill with red the area to cut and with green the area to keep (in normal mode the green is already active, so you just use blue and red). The interface is simple and the logic too. ReMask uses simple 3-colour tri-map technology - green, red and blue - to enable users to quickly and easily extract even the toughest elements - hair, foliage, and transparent materials - in their photos. You can save it and use it as I did here, placing my older son in multiple places in a question of minutes Once you’ve created a cutout and mask, the fun begins. These are the new features of a program that was designed around one simple idea: to create the best quality mask with minimal input. Users can choose from transparent, solid colour, or image backgrounds. Investing time to learn and practice is the best advice I can give you, even if the results you get from using these tools are almost magical!įrom version 5 onwards, just launched, Topaz ReMask works also as a standalone program, besides being a plugin, and also offers the option to replace and edit the background of your masked image without leaving the program. So, in the end, you still need to understand how the tools work, even if some of the hard work is done for you. Topaz ReMask does a fantastic job, but be prepared for some final adjustments, that will be more or less complex depending on the initial images used. In some cases, though, you’ll need to use the Magic Brush and retouch the most difficult areas. The mask shows how well Remask 5 deals with hair. When the program finishes computing the mask you have a mask (right) and the original photo (left) to compare. It should be said, though, that as with all other editing tasks in photography, the more time you devote to the work at hand, the better it gets. Fortunately, tools like Topaz ReMask make it almost automatic to get good results. It is possible to do these operations in editors like Photoshop, but it’s usually a less “in your face” process for most users, demanding a deep understanding of how masks and layers work to get something done. TOPAZ REMASK PARA PHOTOSHOP CC PROFESSIONALThere are very precise and professional ways to do it, a task that before took a long, long time, but nowadays is more accessible to the general user, through programs like Topaz ReMask, from Topaz Labs. There are multiple reasons to mix elements in photos, from the pure fun of creating something new, to the pursue of one’s own style, not forgetting the satisfaction of a client, as mentioned above. Once you’ve done it, move the mouse over the Compute Mask button, press… and the magic begins Use the Red bucket to fill the area that you want to go away. I’ve known it – although seldom used it – since version 3, and now that it reached version 5, from which I just tried a beta version, I felt it was a good idea to share my experience and some tips with those readers that might just need a way to transfer elements from one photo to another one. TOPAZ REMASK PARA PHOTOSHOP CC SOFTWARENow, if I told you there are, these days, easier ways to get elements from one photo into another, would you be interested? I guess so, that’s why I wrote this long article, about the software Topaz ReMask, from Topaz Labs. The simple idea of having to deal with them makes people look the other way. Masks and layers are forbidden words for some. When you open an image a Green layer covers it completely. In Topaz Remask you use the Blue brush to define the edges of the area you want to keep. You never know when a tool may just save the day – like when a client wants a different background behind the product you patiently shot in the studio or outdoors – so it’s better to be prepared. I am not the kind of photographer who mixes elements from different photos, but one should never say never, even if only for the sake of trying tools, to understand them. Even if you just need to create masks for some stills on a video, this is a practical way to do it. For photographers who only use Lightroom, Remask 5 may be the best choice available for creating masks. TOPAZ REMASK PARA PHOTOSHOP CC HOW TOIt is good news for those who need to create masks and layers, but do not have or do not know how to use Photoshop. The previous versions of Topaz ReMask worked only as a plugin, but now the software works also as a standalone program.
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